![]() ![]() The third section is based around a turning point, change in direction, reversal, or twist. The second may refer to the development, or to a beginning of an action related to self-realization. The first section is generally considered an introduction of sorts across all three interpretations, albeit understood by each in a different way. Kishōtenketsu is divided up into four sections, which have been defined and used differently by narratives from each of the three cultures where the form is most commonly found. Kishōtenketsu is a structure mainly found in classic Chinese, Korean, and Japanese narratives. The third act, or resolution, is when the problem in the story boils over, forcing the characters to confront it, allowing all the elements of the story to come together, leading to the climax, the answer to the dramatic question, and the end of the conflict. This leads to the second plot point, where the second act ends and the protagonist returns to his or her ordinary world. This is the part of the story where the characters' conflict is most developed (particularly between the protagonist and antagonist) as well as any changes in values and personality one or more characters may undergo (known as character development, or a character arc). The second act, or confrontation, is considered by this structure to be the bulk of the story. His or her initial attempts to deal with this event lead to the first plot point, where the first act ends and a dramatic question is raised for example, "Will X disable the bomb?" or "Will Y get the girl?" Later in the first act, a dynamic event occurs known as the inciting incident (or catalyst), that involves the protagonist. ![]() The first act begins with setup, where all of the main characters and their basic situations are introduced, as well as the setting, and contains the primary level of characterization for both (exploring the character's backgrounds and personalities, the relationships between them, and the dynamics of the world they live in). The three-act structure is a common structure in classical film and other narrative forms in or associated with the West. The same named story structure may also change over time as the culture also changes. Story structures can vary culture to culture and throughout history. It has been shown to influence how the brain organizes information. Story structure, is a way to organize the story's elements into a recognizable sequence. Story is a narrative, which can be true or fictitious, which can appear in prose, verse or script, designed to amuse, inform the consumer. This is more of an overview of how story structure works in a cross-cultural and general sense. These can be also called Narrative structure which is usually presented in written form or dramatic structure which is presented in audiovisual from. ( Learn how and when to remove this template message)Ī story structure is how to unify a story's elements under an expected order, which can include events, theme, tone, character, and so on, which is not always located in the plot. Please consider expanding the lead to provide an accessible overview of all important aspects of the article. ![]() This article's lead section may be too short to adequately summarize the key points. ![]()
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